Course details
Age: 17+
Academic level: Audition + A-levels (or 12 years of schooling completed with a good school report)
English Language level: Fluent spoken English. IELTS 5.5+ / TOEFL (Internet) 71+
Course length: 3 terms (1 year)
Hours in class: 35-40 hours per week
Entry dates: September
Drama production 2010
Head of Drama & Performing Arts
Jean Stewart
Head of Drama & Performing Arts
Jean is the lead acting lecturer on the CSVPA / RADA Foundation programme bringing with her more than 20 years of professional performance and teaching experience.
Jean trained at The Royal Scottish Academy of Music and Drama (RSAMD) and Glasgow University and holds an MA in Contemporary Theatre. She has worked in theatre in education both in the UK and in Europe (Spain and Germany) and most recently directed a workshop of the Greek play A Thread in the Dark for the University of Crete.
She has developed new writing for young people through the National Theatre’s New Connections programme, working on plays such as Friendly Fire, by Peter Gill, and acted with Menagerie Theatre Company during their 2006 season of New Writing. Jean’s other directing credits span a diverse number of plays, most recently Brecht’s Threepenny Opera, The Grouch by Ranjit Bolt, and Bryony Lavery’s More Light, all for CSVPA.
Voice Lecturer
Rebecca Cuthbertson
Voice Lecturer
Voice coaching includes: Hamlet (Royal Shakespeare Company), John & Jen (Finborough Theatre), A Memory, A Monologue, A Rant and A Prayer (London premiere), A Devilish Exercise (The Rose Theatre Trust), Timon and Beckett’s Shorts (Central School of Speech and Drama), Comedy of Errors (Creation Theatre, Oxford), Full Frontal Diva (Finborough Theatre). Lecturing: Cambridge School of Visual and Performing Arts and East 15 school of acting. Private coaching includes: developmental voice, text for audition and dialect/dialect-reduction. Education: MA in Voice Studies from Central School of Speech and Drama, Bachelors degree in Education, BA (Hons) English Literature and Theatre Arts.
Head of Movement
Christopher Lane
Head of Movement
Christopher is the lead lecturer in movement studies at CSVPA and also works as a freelance director in London specialising in musical theatre and the classics.
His work as an actor spans thirty years and he holds numerous stage credits as well as film and television experience. He trained at the Central School of Speech and Drama completing an MA in Directing in 2005.
His directing credits include the autumn 2010 UK premiere of the musical Bright Lights, Big City (This Stage Ltd, Hoxton Hall), john & jen (UK premiere. Finborough Theatre), A Memory, A Monologue, A Rant and A Prayer by Eve Ensler (London premiere), A Devilish Exercise: Conjuring Marlowe at the Rose (The Rose Theatre Trust), Timon (a site-specific adaptation of Shakespeare’s Timon of Athens), and Beckett’s Shorts (an anthology of Samuel Beckett).
Christopher is a visiting lecturer for the Central School of Speech and Drama and has extensive lecturing credits from his native Canada. He also holds a Bachelor’s degree in Education and a BA (Hons) in History.
Drama Foundation in association with RADA
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"I am consistently impressed by the enthusiasm and dedication of the staff at CSVPA and by the standard of their students at audition. I believe the course is a valuable introduction not only for those who know they want to train as an actor, but for anyone with an interest in drama or performance."
Edward Kemp, Artistic Director, RADA
Run in association with RADA
The CSVPA / RADA Drama Foundation is aimed at confident individuals with a passion for the performing arts and who are considering a career in acting.
Under the mentorship and guidance of our RADA approved lecturing staff, who are themselves practicing theatre professionals, you will train in a variety of disciplines and be challenged to grow both professionally and personally.
The course has expanded into a new two-strand programme that will allow students to train as actors in either Classical & Contemporary Theatre or Musical Theatre.In addition you will receive intensive one-to-one preparation for auditions.
About the course...
Why train at CSVPA?
The programme
Lecturing staff
Our success rate
The audition process
Sample Timetable
Our actors & productions...
About RADA...
The Royal Academy of Dramatic Art (RADA)
RADA Shakespeare Certificates
Professional actor training
"The combination of individual attention and top teaching that students receive at CSVPA enables their growth both as performers and as human beings." - Brian Stirner, RADA Acting Coach
Cambridge School of Visual & Performing Arts (CSVPA) is acknowledged to be one of the best drama schools offering foundation drama in the UK. Our longstanding association with the Royal Academy of Dramatic Art (RADA) provides us with a unique opportunity to offer our students an intensive one year theatre training programme in Cambridge.
A significant part of the course is dedicated to audition technique with intensive one-to-one feedback. You will also prepare for a fully staged public end of year production to showcase the skills you have learned over the year (past productions include: The Threepenny Opera, The Government Inspector, The Merry Wives of Windsor, A Midsummer Night’s Dream).
The CSVPA / RADA foundation programme consists of 35 – 40 hours per week of practical tuition. The course will have a set of core classes mandatory for all students and then will divide into strands in order to allow students to specialise their acting training within their spefic area of interest.
| Foundation Drama Classes |
Classical & |
Musical Theatre (sessions per week) |
|
|---|---|---|---|
| Core Classes For Both Streams |
Acting – Technique | 2 | 1 |
| Voice – Developmental | 2 | 1 | |
| Text – Classical, Oratory, Story Telling | 2 | 1 | |
| Pure Movement | 2 | 0.5 | |
| Applied Movement | 1 | 0.5 | |
| Body Work | 5 | 5 | |
| Ballet | 2 | 2 | |
| Contemporary Dance | 2 | 1 | |
| Ensemble Singing | 2 | 2 | |
|
Classical & Stream |
Scene Study | 2 | N/A |
| Theatre In Context | 2 | N/A | |
|
Musical Theatre Stream |
Musical Theatre Scene Study | N/A | 2 |
| Musical Theatre In Context | N/A | 2 | |
| Music Theory | N/A | 1 | |
| Dance: Musical Theatre | N/A | 3 | |
| Aural Skills | N/A | 1 | |
| Performance Skills | N/A | 1 | |
|
Total Session a Week |
24 | 24 | |
|
|
One-to-one acting and singing coaching: One hour per week | Yes | Yes |
| Third Term Musical Production | No | Yes | |
| Third Term Play Production | Yes | No | |
Each session is 1.5 hours in length with an average week consisting of 36 hours of structured class time. Mandatory rehearsals and personal studio sessions are required in addition to the above and are scheduled on a weekly basis as needed
You will receive:
- coaching for RADA Shakespeare Certificates
- exclusive RADA master classes (at CSVPA and RADA's London campus)
- external master classes (past sessions include: Frantic Assembly, Jeremy Stockwell, Hoipolloi)
- lectures with RADA alumni
Learn from professional, RADA qualified theatre practitioners
"Training at CSVPA was probably the best year of my life so far! The teaching is superb and guides you into the right direction, and makes sure you have fun along the way." - Emma Richardson, former student
All our lecturers are performance specialists who have ongoing professional experience within the theatre industry, both in the UK and internationally.
Outstanding acceptance rate at leading UK and international drama schools
"I’d certainly advise the CSVPA Foundation. Even though I felt completely ready for drama school, the Foundation year made me prepare for having to commit to a three year programme. It also helped to bolster my determination to become an actress." - Charlie Russell, former student
One of the indicators of the success of this programme can be found in the acceptance rate of our students into drama schools. Over the past three years we have had students leave us to attend RADA, LAMDA, Bristol Old Vic, The Drama Centre, Guildhall, East 15, Rose Bruford, RSAMD, Mountview, ALRA and The Lecoq School of Mime as well as drama schools in New York, California and Madrid.
Just a few examples of our Drama Foundation student results:
2010
| Grade | Name | Nationality | Destination | Studying |
|---|---|---|---|---|
| Distinction | Chris McKay | British | Bristol Old Vic | Acting |
| Distinction | Hesper Straford | British | RSAMD | Acting |
| Merit | Obiese Maduegbuna | Nigerian | Mountview | Acting |
| Distinction | Flaviana Cruz Clark | Brazilian | East 15 | Acting |
| Distinction | Ben Alderton | British | East 15 | Acting |
| Merit | Daniel Abbot | British | LAMDA | Acting |
2009
| Grade | Name | Nationality | Destination | Studying |
|---|---|---|---|---|
| Distinction | Cate Cammack | British | Bristol Old Vic | Acting |
| Merit | Henry Regan | British | Mountview | Acting |
| Distinction | Simon Every | British | Drama Centre | Acting |
| Merit | Charlie Russel | British | LAMDA | Acting |
| Distinction | Jimin Suh | Korean | RSAMD | Acting |
2008
| Grade | Name | Nationality | Destination | Studying |
|---|---|---|---|---|
| Distinction | Jonathan Burke | British | LAMDA | Acting |
| Merit | Emma Richardson | British | Mountview | Acting |
| Merit | Mosha Stydenko | Russian | East 15 | Stage Combat |
| Merit | Sam Hunt | British | East 15 | Contemporary Theatre |
2007
| Grade | Name | Nationality | Destination | Studying |
|---|---|---|---|---|
| Distinction | Andrew Cunningham | British | Drama Centre | Acting |
| Distinction | Olivia Knowles | British | RSAMD | Acting |
| Pass | Sophie Calhoun | British | Guildhall | Acting |
| Merit | James Rallison | British | Mountview | Acting |
2006
| Grade | Name | Nationality | Destination | Studying |
|---|---|---|---|---|
| Merit | Lola Frears | British | Drama Centre | Acting |
| Distinction | Isabelle Quinzarious | Mexican | Drama Centre | Directing |
| Distinction | Carlyss Peer | British | RADA | Acting |
| Distinction | Emily Houghton | British | RADA | Acting |
Audition process
Auditions take place throughout the year in Cambridge and placement offers are generally given out on a rolling basis.
If you are interested in the Classical & Contemporary stream your audition should take the form of two monologues, one taken from contemporary and one from classical drama. Each monologue should last no longer than 2 minutes and should be delivered from memory.
If you wish to audition for the Musical Theatre stream your audition should take the form of:
- 1 x monologue (classical or contemporary), 2 minutes delivered from memory
- 2 songs taken from the musical theatre repertoire (1 x traditional & 1 x contemporary):
- Eg of traditional composers – George Gershwin, Cole Porter, Rodgers and Hammerstein, Leonard Bernstein.
- Eg of contemporary composers - Stephen Schwartz, Jason Robert Brown, Tom Kitt, Stephen Sondheim.
- An accompanist will be provided for your audition. Please bring sheet music for your songs in the keys in which you perform them.
If you are unable to attend auditions in person, we also accept video / DVD submissions. For the Musical Theatre stream, your two songs taken from the musical theatre repertoire must be accompanied by piano or a backing track.
Application packages & auditions can be arranged by contacting admissions at:
Tel: +44 (0) 1223 345698
Fax: +44 (0) 1223 346181
Email: admissions@csvpa.com
Royal Academy of Dramatic Art (RADA)
The Royal Academy of Dramatic Art (RADA) is the UK’s leading school for the dramatic arts. Courses at RADA include a BA (Hons) in Acting, validated by King’s College, London, and Graduate Diplomas in Theatre Technical Arts.
RADA alumni include: Sophie Okonedo, Matthew Macfadyen, Clive Owen, Maggie Gyllenhall, Ioan Gruffudd, Ralph Fiennes, Michael Caine, Gemma Arterton, Sean Bean, Kenneth Branagh and many more...
RADA Shakespeare Certificates explained
The RADA Shakespeare Certificates, at bronze, silver and gold levels, provide a benchmark for students wishing to improve their techniques and their confidence in delivering complex language. Each term there will be opportunities to prepare for, and take, these highly regarded qualifications.
The certificates are awarded following a successful presentation before RADA examiners at specially arranged examinations in Cambridge.
Sample Timetable
| 09:00 | 10:00-11:30 | 11:45 - 13:15 | |
| Monday | Body work | Pure movement | Voice |
| Tuesday | Body work | Acting | Pure movement |
| Wednesday | Body work | Singing | Voice/Text/Articulation |
| Thursday | Body work | Applied movement | Contemporary dance |
| Friday | Body work | Voice | Acting |
| 14:15 | 15:45 | 17:15 | 17:30 | 18:15-19:30 |
| Theatre in context | Text | Break | Ballet | Free time |
| Singin | One-to-one Voice / Movement / Acting / Singing | One-to-one | One-to-one | Free time |
| Scene study | Contemporary dance | Break | Free time | Ballet |
| One-to-one | One-to-one | One-to-one | One-to-one | One-to-one |
| Text | Theatre in context | Free time | Free time | Free time |
Taught in association with...
Audition at RADA
Places are still available for September 2012 entry. A full-day audition workshop is being held at RADA on 30th June 2012.
Email studentadvice@csvpa.com to register or find out more >>
Drama production 2010
Ellis Jones, RADA
"The high level of acceptances onto 3-year professional training programmes achieved by graduating CSVPA Drama Foundation students speaks for itself as to the effectiveness of the Cambridge course.
Watching the individual performers grow in confidence during the year and the panache with which they demonstrate their developing skills in the end of year presentation is always a great joy and a testament to the dedication and abilities of the teaching team and the support they receive from RADA specialist trainers."
Ellis Jones, former Vice-principal RADA
Senior Consultant for RADA Enterprises

















